Studio Trigraf's challenge was to put on screen the bewitched Margarita, from the moment that she had used Azazello's cream, until her arrival at the withches' sabbath..
All shootings were made in one room with green walls and a movable arm in the middle. The streets of Moscow were created digitally. In order to suggest the idea of a flight three movements were combined: the movements of the actress, the movements of the room and the virtual the movements of a 3D-figure with the shape and the sizes of Anna Kovalchuk.
The houses, except for Margarita's house and the Dramlit building, were based on real streets in Saint-Petersburg en all other moving three-dimensional elements like the cars and the people in the streets are digitally simulated from scratch.